An American Werewolf In London Deleted Scenes Review
Uncovering the Unseen: A Deep Dive into the Deleted Scenes of "An American Werewolf in London"
Introduction
Released in 1981, John Landis's "An American Werewolf in London" is a seminal work of horror-comedy that has become a cult classic. The film's unique blend of humor, gore, and supernatural terror has captivated audiences for decades, and its influence can still be seen in many modern horror films. However, like many movies, "An American Werewolf in London" was not immune to the cutting room floor, with several deleted scenes making their way to the chopping block. In this article, we'll explore the deleted scenes from "An American Werewolf in London," what was cut, and why, as well as the impact these scenes had on the final product.
The Making of a Classic
Before diving into the deleted scenes, it's essential to understand the context of the film's production. "An American Werewolf in London" was a passion project for director John Landis, who had previously helmed films like "Schlocker" and "The Three Faces of Eve." Landis's vision for the film was to create a horror-comedy that would push the boundaries of what was acceptable on screen. The film's script, co-written by Landis and Dan Attias, was a complex blend of humor, horror, and pathos, with a unique tone that was both irreverent and irrepressible.
The film's production was marked by a sense of creative freedom, with Landis and his team pushing the limits of what was possible on a relatively modest budget. The film's cast, including David Naughton, Jenny Agutter, and John Landis himself, were all on board with the director's vision, and the film's shoot was marked by a sense of camaraderie and experimentation.
Deleted Scenes: A Look at What's Been Lost
Several deleted scenes from "An American Werewolf in London" have surfaced over the years, offering a fascinating glimpse into the film's creative process. Some of these scenes have been included in various home video releases, while others remain lost to the sands of time.
One of the most notable deleted scenes is the extended version of the film's opening sequence, which showed more of the American tourists, David (David Naughton) and Jack (John Landis), as they travel through the English countryside. This scene, which lasted around 5 minutes, provided additional context for the characters' trip and included several comedic moments that were later incorporated into other parts of the film.
Another deleted scene that has been widely circulated is the infamous "Full Moon" sequence, which featured a lengthy and more graphic transformation of David into a werewolf. This scene, which was deemed too intense for the film's original rating, was trimmed down to its current form, which still manages to be one of the most iconic moments in horror movie history.
Additionally, there were several comedic scenes featuring the character of Dr. Ernest Kessler (played by Lyle Waggoner), which were cut from the final film. These scenes added more depth to the character and provided additional humor to the film's second half.
The Significance of Deleted Scenes
So, why were these scenes deleted, and what impact did their removal have on the final film? According to John Landis, the decision to cut these scenes was largely driven by pacing and tone. Landis wanted to maintain a specific balance between horror and comedy, and some of the deleted scenes, while funny or interesting on their own, didn't quite fit with the overall flow of the film.
In an interview with "The A.V. Club," Landis explained, "I think we had a better film, to be honest with you, before we cut it down. But, you know, you have to make a film that the studio will let you make, and you have to make a film that will get a certain rating."
The removal of these scenes also had an impact on the film's characters and story. The deleted scenes provided additional context for the characters and their motivations, and their removal made the film feel slightly more streamlined. However, the film's core message and themes remained intact, and the deleted scenes only served to enhance the film's overall vision.
The Legacy of "An American Werewolf in London"
Despite the deleted scenes, "An American Werewolf in London" has had a lasting impact on the horror and comedy genres. The film's influence can be seen in everything from "The Frighteners" to "Shaun of the Dead," and its blend of humor and horror has become a staple of modern genre cinema.
The film's success also helped establish John Landis as a major talent in Hollywood, and he went on to direct a string of successful films, including "Trading Places" and "Coming to America." The film's cast, including David Naughton and Jenny Agutter, also saw a boost in their careers, with both actors going on to appear in a wide range of films and TV shows.
Conclusion
The deleted scenes from "An American Werewolf in London" offer a fascinating glimpse into the creative process behind this horror-comedy classic. While some scenes were cut for pacing or tone, others were removed due to studio pressure or rating concerns. Despite these cuts, the film remains a masterpiece of the genre, and its influence can still be felt today.
For fans of the film, exploring the deleted scenes can provide a new appreciation for the craftsmanship and creativity that went into making "An American Werewolf in London." And for those who have not seen the film, be sure to track it down – it's a wild ride that will leave you howling for more.
Bonus: Tracking Down the Deleted Scenes
For those interested in tracking down the deleted scenes from "An American Werewolf in London," there are several resources available.
- The Criterion Collection: This deluxe Blu-ray release includes several deleted scenes, including the extended opening sequence and the "Full Moon" transformation.
- The 20th Anniversary Edition: This DVD release features several deleted scenes, including the comedic scenes featuring Dr. Ernest Kessler.
- YouTube and online archives: Several deleted scenes have been uploaded to YouTube and other online archives over the years. However, be warned: these clips may be of varying quality and may not be officially sanctioned by the filmmakers.
By exploring these deleted scenes, fans of "An American Werewolf in London" can gain a deeper understanding of the film's creative process and appreciate the craftsmanship that went into making this horror-comedy classic.
Unseen Carnage: The Lost Scenes of An American Werewolf in London John Landis’s 1981 masterpiece, An American Werewolf in London
, is legendary for Rick Baker’s Academy Award-winning transformation effects and its perfect blend of horror and dark comedy. However, the theatrical cut we know and love isn’t the only version that existed. Over the years, stories of deleted sequences and lost gore have become the stuff of horror cinema legend.
Here is a deep dive into the scenes that were left on the cutting room floor—some of which are considered "lost media" today. 1. The Lost "Tramp Attack" (Junkyard Massacre)
Perhaps the most famous of the deleted scenes is a brutal attack on three homeless men in a junkyard. What happened:
The werewolf tracks and dismembers three tramps along the Thames. Why it was cut:
During test screenings, audiences reacted negatively to the scene, finding it too distracting or perhaps too mean-spirited for the film's tone. This is considered lost media
. No video or audio footage is known to survive, and John Landis has expressed regret over removing it. 2. Jack’s Toast-Eating Mishap
Even the undead need a snack, but things didn't go smoothly for the decaying Jack Goodman. What happened:
In one of his visits to David, the undead Jack tries to eat a piece of toast. Because his throat is still torn from the initial attack, the chewed food falls right out of a hole in his neck. Why it was cut: This was removed primarily to help the film secure an
in the United States, as it was deemed too graphic or "gross-out" for the ratings board at the time. 3. David’s Call Home
This scene provided a rare moment of emotional weight before David's descent into despair. What happened:
David calls his home in the U.S. from a London phone booth. He speaks to his younger sister, Rachel, asking if his parents are home before realizing the gravity of his situation. Why it was cut:
While filmed and included in some early versions, it was often edited out of subsequent home video releases due to mastering errors or pacing. Fortunately, this scene is well-documented and has been restored in some modern high-definition releases. 4. Toned-Down Intimacy An American Werewolf in London
wasn't just about gore; it also featured a central romance between David and Nurse Alex Price.
To avoid an X-rating (the predecessor to the NC-17), the love scene between David and Alex was significantly toned down. The theatrical version is much shorter and less explicit than what Landis originally shot. 5. Minor Gore & Alternate Music GUEST MOVIE REVIEW: An American Werewolf in London
[Header Image Idea: A grainy, behind-the-scenes photo of David Naughton in the makeup chair, or a grim shot of the moors with the title text overlayed]
Title: 🐺 Lost on the Moors: The Deleted Scenes of ‘An American Werewolf in London’
John Landis’s An American Werewolf in London (1981) remains the gold standard for horror-comedy. But even a masterpiece ends up on the cutting room floor. While the theatrical cut is perfect, the deleted scenes offer a fascinating glimpse into a darker, more expansive version of the story.
Here is what was left behind in the fog:
🩸 The Bloodier Hospital Finale If you thought the final rampage in London was intense, the original cut was apparently much more violent. Landis trimmed significant chunks of the werewolf’s attack on the hospital staff to avoid an X rating. Gore hounds would have seen much more carnage before the tragic freeze-frame ending.
🔪 The "Dick Littler" Subplot eagle-eyed viewers might notice a name on a office door in the final cut. A whole subplot involving a character named Dick Littler was filmed but cut entirely. These scenes would have further established David’s life in London before the attack, grounding his tragedy in more mundane reality. an american werewolf in london deleted scenes
👻 Extended Undead Visions The scenes featuring David’s decomposing friend, Jack (Griffin Dunne), and his ghostly victims were originally longer. These extensions included more "rotting" makeup effects by Rick Baker that were deemed too disturbing or pacing-killing for the final film.
🎬 The "Peacocks" Mystery Rumors have persisted for decades about a scene involving peacocks reacting to the werewolf, often cited in interviews but rarely seen in full. It remains one of the great "alt-movie" legends!
The Verdict: While these scenes might be lost to time (or locked in deep studio vaults), their absence arguably tightens the film’s pacing. Still, for fans of Rick Baker’s practical effects, the idea of unseen footage is the ultimate temptation. 🎞️
Question for the Pack: If you could restore one deleted scene to the movie, which would it be? Let us know in the comments! 👇
#AnAmericanWerewolfInLondon #JohnLandis #RickBaker #HorrorMovies #PracticalEffects #80sHorror #DeletedScenes #MovieTrivia #Werewolf
An American Werewolf in London (1981) is celebrated as a horror masterpiece, director John Landis was forced to cut several highly graphic scenes to secure an "R" rating and appease uncomfortable test audiences. Most of this footage is now considered lost media , as no visual or audio recordings are known to survive. The Infamous "Tramp Killing" Scene
The most significant deleted sequence involved the werewolf brutally attacking three homeless men (tramps) in a junkyard. The Context:
In the theatrical version, the movie cuts away before the attack, and the men later reappear as ghosts in the porno theater. Why it was cut:
During test screenings, audiences reacted so negatively to the extreme gore of this scene that Landis removed it entirely.
It is believed that nothing remains of this scene, and its existence is largely known through interviews and script references. Censorship for the "R" Rating
To avoid an X-rating from the MPAA, several smaller but intense moments were trimmed: Undead Toast:
A brief shot of Jack (the "undead" friend) eating toast, where the food falls out through his torn throat. Toned-down Romance: The love scene between David and Jenny was shortened. Tube Station Gore:
A shot of David spitting out the severed thumb of his victim from the London Underground. Lost Dialogue: The Phone Call Home
One substantial non-gore scene that was cut involved David calling his family in America from a phone booth. The Scene:
David speaks to his younger sister, Rachel, telling her to let their parents know he loves them. Availability:
While missing from some DVD editions due to mastering errors, this scene has been restored in various Blu-ray releases and is often considered "uncut" by home video standards. Key Deleted & Alternate Details Description The "Junkyard" Massacre The werewolf dismembers three homeless men. Jack's Toast Food falling through Jack's throat wound. Extended Sex Scene Longer cut of David and Jenny's romance. The Phone Call David's final call to his sister in the US.
Despite fans' hopes, director John Landis has confirmed that while he regrets some of the cuts, the most graphic footage likely no longer exists.
While there is no official "Director's Cut" of An American Werewolf in London
, several scenes were removed or shortened to satisfy censors and test audiences. Most of these remain lost, though some have been partially restored in modern home video releases like the Arrow Video 4K/Blu-ray. 🐺 The "Lost" Scenes
These sequences were filmed but removed before the final theatrical release.
The Tramp Killings: The most famous "lost" scene involved the werewolf attacking three homeless men in a junkyard. It was cut because test audiences found it too distracting and intense; no audio or video is known to survive.
Jack’s Toast Scene: An extra shot of the undead Jack eating toast was trimmed for the R-rating because food was seen falling out of his mangled throat.
Extended Sex Scene: The love scene between David and Alex was originally longer and more explicit, but was toned down to avoid an X-rating.
Alternate Transformation Score: While not a deleted "scene" per se, composer Elmer Bernstein originally recorded a traditional horror score for the transformation. Landis ultimately replaced it with the upbeat "Blue Moon". 📺 Home Video Variations
Mastering errors and regional censorship have caused certain scenes to "disappear" from specific releases.
The Phone Call Home: David calls his sister Rachel to say goodbye before his suicide attempt. This scene is missing from some Region 2 DVD Special Editions due to a mastering error.
The Dead Werewolf: In the original UK broadcast, the final shot of the dead werewolf reverting to a naked David Kessler on the moors was edited out.
Soundtrack Changes: In the early 90s, some TV versions replaced Van Morrison's "Moondance" with "Happy Together" by The Turtles due to licensing issues.
💡 Collector's Tip: If you are looking for the most complete version, stick to the Arrow Video or recent Universal Blu-ray/4K releases, as they restore the phone call scene and offer the original mono audio mix. Alternate versions - An American Werewolf in London - IMDb
While An American Werewolf in London (1981) remains a horror masterpiece, director John Landis trimmed several sequences to maintain the film’s balance of horror and dark comedy. Most of these scenes were cut to avoid an X rating or because they were deemed "too dark" during test screenings. Notable Deleted & Altered Scenes
The "Tramp Killing" Scene: This is the most famous lost sequence. It featured the werewolf attacking three homeless men in a junkyard. It was removed after test audiences reacted negatively to its cruelty, and the footage is now considered lost media.
Jack’s Toast Scene: In an early version of the "undead Jack" scenes, food was shown falling through the gaping, torn-out wound in Jack’s throat as he tried to eat toast. This was removed to keep the film from being overly gruesome.
The Tube Victim's Thumb: A brief, grisly shot was reportedly cut where David, in the hospital, spits out a severed thumb belonging to the man he killed in the London Underground.
David’s Phone Call Home: A poignant scene was removed (and accidentally omitted from some Region 2 DVDs) where David calls his family in America to say goodbye just before his attempted suicide with a pen knife.
Toned-Down Love Scene: The intimate scene between David and Alex was originally longer and more explicit but was edited down to ensure an R rating in the U.S..
The Original UK "Dead Werewolf" Edit: In the original UK broadcast, the shot of the dead werewolf reverting to a naked man on the moors was briefly edited out. Production Curiosities
The Werewolf Design: Rick Baker initially sculpted a very extreme, snarling expression for the wolf to ensure its "evil" nature was clear in brief shots. Landis later felt he showed the creature too much and cut several static shots of the wolf to maintain mystery.
Alternate Audio: Some television broadcasts in the early 1990s replaced Van Morrison’s "Moondance" with "Happy Together" by The Turtles during the love scene due to licensing issues.
An American Werewolf in London (1981) is celebrated for its groundbreaking practical effects, many of its most graphic moments were left on the cutting room floor to avoid an "X" rating. Most of these legendary deleted scenes are now considered lost media, surviving only in production stills or the memories of the cast and crew. The Infamous "Tramp Scene"
The most notable omission is a sequence involving the werewolf's brutal attack on three homeless men (tramps). The Content
: Described as "extremely graphic," the scene showed the werewolf dismembering the men in a dark alleyway. The Reason for Removal
: During a test screening, the violence was so intense that audience members reportedly walked out. Director John Landis cut it before the theatrical release to preserve the film’s "R" rating and pacing. Current Status
: No visual or audio recordings of this scene are known to exist publicly, leading some to wonder if it was ever fully completed. Cut Gore and Extended Beats
Several smaller, yet grisly, shots were trimmed for the final cut: The Toast Scene Uncovering the Unseen: A Deep Dive into the
: A brief shot was filmed where undead Jack (Griffin Dunne) attempts to eat toast, only for the food to fall out through his mangled, torn-open throat. Hospital Spitting
: One cut scene allegedly featured David (David Naughton) spitting out a human thumb—remnant from his subway victim—while in his hospital bed. Toned-Down Romance
: The love scene between David and Nurse Alex (Jenny Agutter) was slightly shortened in the U.S. theatrical version to comply with censors. The "Missing" Phone Call
In some international and television versions, a pivotal scene was removed where David calls his family in America.
: Realizing he is a monster, a desperate David calls his sister to say goodbye before attempting to slit his wrists with a penknife. Mastering Errors
: On certain European DVD releases, this scene was missing due to a technical mastering error rather than intentional censorship. Scoring Changes
The legendary transformation scene almost had a very different tone. Rejected Score
: Elmer Bernstein originally recorded a traditional, suspenseful horror score for the sequence. The Final Choice
: Landis ultimately chose Sam Cooke’s "Blue Moon" to create a "sad and painful" atmosphere, contrasting with the horrific visuals. The rejected Bernstein score can now be found on some Special Edition releases as a bonus feature. lost media aspect of these scenes or perhaps look into the makeup techniques used for the shots that make the cut?
There are no officially released "uncut" or "director's cut" versions of An American Werewolf in London
. However, several significant scenes were cut by director John Landis, mostly to avoid an X rating or because of negative reactions from test audiences. Most Famous Deleted & Lost Footage The Tramp Attack
: The most legendary "lost" footage is an extended, extremely graphic sequence where the werewolf attacks a group of homeless men (tramps) near Tower Bridge. It reportedly showed the men being brutally killed, including one being bent backwards over the hood of a car. It was removed after test audiences reacted poorly to the excessive gore. Undead Jack Eating Toast
: A short comedic-horror moment featuring the decaying Jack trying to eat a piece of toast, only for the food to fall out of his torn throat. Extended Love Scene
: The sex scene between David and Alex was originally more explicit but was toned down to secure an R rating in the U.S.. Extended Piccadilly Circus Rampage
: Additional shots of the final rampage were filmed, including more graphic injuries to bus passengers being thrown through windows. Home Video Variations & Errors
While the theatrical cut is the standard version, certain home video releases have minor differences due to editing or mastering errors: Missing "Suicide Phone Call"
: In some Region 2 (UK/European) DVD releases, a scene where David calls his sister to say goodbye before attempting suicide was accidentally omitted. Most Blu-ray and 4K releases, such as the Arrow Video and Universal editions, have restored this. Music Changes
: Some early TV broadcasts substituted the song "Moondance" by Van Morrison with "Happy Together" by The Turtles during the love scene due to licensing issues. Is there a "Director's Cut"?
John Landis has stated that he does not own the film and cannot release a new version. Furthermore, much of the cut footage—specifically the tramp attack—is considered lost media , meaning the original film elements may no longer exist. special effects used in the famous transformation scene? Alternate versions - An American Werewolf in London - IMDb
Reports on the deleted scenes from the 1981 classic An American Werewolf in London
reveal a significant amount of "lost media" and edits made for pacing or censorship. Director John Landis originally included sequences that were either too graphic for test audiences or were trimmed to maintain the film's R-rating. The Most Infamous Lost Scene: The Tramp Killing
The most famous deleted footage is the "tramp killing" sequence, which featured the werewolf attacking and dismembering several homeless men in a junkyard.
The Details: Landis describes the scene as extremely graphic.
Reason for Cut: Test audiences reacted negatively, finding the violence distracting from the film's core narrative.
Current Status: This footage is widely considered lost. No known video or audio recordings exist, and it has never been included in home media releases, including 4K restorations. Censorship and Tone Edits
Several other scenes were trimmed to satisfy the MPAA and international distributors:
The Sex Scene: The original love scene between David (David Naughton) and Alex (Jenny Agutter) was notably longer and more graphic. It was toned down in the U.S. theatrical version and some international releases.
Undead Jack: A small but famous cut involved Jack's (Griffin Dunne) appearance. A shot of him eating toast while undead—with food falling out of his open, mangled throat—was removed to avoid an X-rating.
Extended Gore: Various attack sequences, particularly the climactic Piccadilly Circus massacre, contained more visceral gore that was trimmed for theatrical release. Character and Contextual Cuts
Beyond the gore, some character-driven moments were removed or edited:
Crying on the Cutting Room Floor: The Lost Horror of An American Werewolf in London
In the pantheon of horror-comedy, few films cast a longer shadow than John Landis’s 1981 masterpiece, An American Werewolf in London. Celebrated for its Oscar-winning practical effects (the first of its kind for Best Makeup), its perfect tonal balance of slapstick and dread, and its haunting use of a moon-themed soundtrack, the film is a sacred text for genre fans. Yet, like many great works of chaos, the final cut of Werewolf is only half the story.
For decades, fans have pored over the film’s final 97 minutes. But what lies in the shadowy vaults of Universal Pictures? What jokes were deemed too dark? What gore was too extreme? This is the definitive guide to the deleted scenes, script revisions, and lost moments of An American Werewolf in London.
1. The Extended "Slaughtered Lamb" Scene
The first act of the film is famous for its slow-burn tension in the pub, The Slaughtered Lamb. The locals are unwelcoming, the atmosphere is tense, and the fire is roaring. However, the original cut featured much more dialogue between David and Jack and the pub’s patrons.
In the extended version, the pair spends more time trying to ingratiate themselves with the locals, leading to a longer and more awkward exchange about why they are on the moors in the first place. While the theatrical cut gets them out the door relatively quickly to build tension, the deleted footage highlighted the duo’s naivety and provided more context for why the villagers were so desperate to get them off the streets before dark.
2. Extended Slaughtered Lamb Dialogue (Deleted)
An extended version of the "Stay off the moors" scene included more explicit foreshadowing.
- The Scene: After chess talk, Jack asks the dart player, "What’s so bloody special about the moon?" The villager freezes. Another man mutters, "The devil walks when the moon is full." The landlord harshly cuts him off: "That’s enough." A young woman then whispers to David and Jack, "My gran lost a brother to the moors. They found his shoes. Nothing else. Just his shoes." This line was cut to maintain ambiguity—Landis felt it made the werewolf too obvious too early.
1. The Prologue: A Slaughtered Lamb Origin (Unfilmed)
The most substantial deletion occurs before the film even begins. The script originally opened not on David and Jack trudging across the moors, but inside The Slaughtered Lamb decades earlier.
- The Scene: A flashback to 1935. A group of villagers huddle in the pub. Outside, a full moon hangs over the moors. We see a young boy (the future pub landlord) watch in horror as his father transforms into a wolf. The men of the village, using silver-tipped walking sticks, hunt and kill the creature. The scene ends with the boy being sworn to secrecy.
- Why it was cut: Landis shot a version of this prologue during principal photography, but the footage was unusable due to a technical error—the lab ruined the film negative. Faced with budget and time constraints, Landis chose to abandon the sequence rather than reshoot it. The eerie atmosphere and unspoken dread in the final film are a direct result of this loss; the audience, like the American tourists, is kept in the dark.
3) Jack’s Dream/Flashback Inserts
- What’s in it: Short surreal inserts—snatches of dream logic, distorted sound design, and quick montage flashes linking the moors, the beast, and Jack’s injury—that originally appeared around the transformation scenes.
- Why it’s important: They heighten the film’s psychological edge, suggesting that trauma and the supernatural bleed into memory. For fans interested in thematic depth, these cuts reveal Landis experimenting with visual fragmentation to blur reality and nightmare.
How These Cuts Change the Film Experience
- Emotional clarity: Restoring some scenes increases the emotional payoff by expanding character moments—especially the friendship between David and Jack and David’s isolation.
- Atmosphere and worldbuilding: Additional local color and folklore beats make the setting feel less disposable and more ominous.
- Tone: Deleted comedic beats show how close the film came to a broader comedy; their removal helped preserve the tragic-horror balance that defines the film.
- Craft insight: Alternate transformation footage and surreal inserts are valuable for studying practical effects, editing rhythms, and tonal choices.
A Curious Howl: Reviewing the Deleted Scenes of An American Werewolf in London
For decades, John Landis’s An American Werewolf in London (1981) has been revered as a flawless alchemy of horror, humor, and heart. Its Academy Award-winning practical effects and tight, nightmarish pacing feel almost preordained. So, when the long-circulating deleted scenes (most notably restored in later collector’s editions) finally emerged, fans approached them with the reverence of archaeologists unsealing a tomb. The verdict? A fascinating, if messy, glimpse at a film that could have been very different—and arguably lesser.
The Slaughtered Lamb Extended: More Folklore, Less Mystery
The most substantial additions involve the opening act in Yorkshire. An extended sequence at The Slaughtered Lamb gives the villagers more dialogue, explicitly laying out the rules of the pentagram and the legend of the "stalking beast." While it’s tempting to crave more lore, these cuts were wise. The theatrical version’s strength lies in its suggestions—the menacing silence, the sideways glances, the clipped “Stay off the moors.” Adding expository dialogue drains the scene of its uncanny dread, turning a folk-horror masterpiece into a mere campfire story.
David’s Nightmare Before the Nightmare
A longer dream sequence featuring David (David Naughton) in a surreal, blood-soaked forest was also trimmed. Here, we see a more elaborate chase by faceless, Nazi-esque wolf-men (a recurring Landis motif). The footage is impressively grotesque, but it’s also redundant. The theatrical cut’s infamous “dream within a dream” (the Nazi monster raid on his family’s home) is jarring and surreal precisely because it comes out of nowhere. Adding another explicit wolf-horror dream dilutes the shock of the actual transformation scene later on. Less was definitively more.
The Hospital of Horrors: A Different Tone
Perhaps the most jarring addition is an extended hospital scene where the nursing staff mutters darkly about the “evil” in David’s wounds. The tone here is closer to gothic melodrama than Landis’s signature black comedy. In contrast, the theatrical cut’s hospital scenes are brisk, clinical, and oddly warm (thanks to Dr. Hirsch). The deleted material makes the nurses seem prophetic rather than professional, which undercuts the film’s central tragedy: that David is a normal kid trapped in an impossible, biological curse, not a demonic possession.
The Slapstick That Never Was
A few short comedic beats with David and Jack (Griffin Dunne) were removed—Jack getting stuck halfway through a wall, a longer argument about a urinal. These are delightful to watch for Dunne’s acerbic charisma, but they tip the scale too far into Abbott and Costello territory. The theatrical version keeps Jack’s decay and despair as the film’s tragic anchor. The deleted gags, while funny, would have made the undead best friend feel more like a cartoon and less like a harrowing conscience.
Final Verdict: Essential for the Archive, Unnecessary for the Art
Rating: ★★★☆☆ (3.5/5 – As a historical artifact; 1/5 as a proposed recut)
These deleted scenes are a masterclass in why editing is the invisible art of cinema. Each excised moment is competently shot and acted, yet almost every cut improves the final film. The missing scenes either over-explain the mystery, blunt the comedic timing, or soften the tragic isolation of David Kessler.
For the hardcore fan, they are a treasure—revealing Landis’s impulses toward broader horror-comedy and deeper folklore. For the casual viewer, skip them. An American Werewolf in London is a perfect nightmare because it knows exactly what to show, what to hide, and most importantly, what to leave on the cutting room floor. These scenes prove that sometimes, the scariest thing a director can do is be ruthless with his own material.
Here are some features about the deleted scenes from "An American Werewolf in London":
Deleted Scenes:
- The Alleyway Attack: A longer and more graphic version of the werewolf attack on David (David Naughton) and Jack (Jenny Agutter) in the alleyway.
- The Policeman's Story: A scene where a British policeman (played by Paul Kahlen) tells David and Jack about the history of the werewolf legend in London.
- The Full Moon Transformation: A deleted scene showing David's transformation into a werewolf during a full moon, with more detail and gore.
- The London Pub Scene: A scene where David and Jack visit a London pub, where they encounter a group of rowdy British locals.
- The Aftermath: A scene showing the aftermath of David's transformation, with footage of the destruction caused by the werewolf.
Interesting Facts:
- Deletions due to pacing: Director John Landis deleted some scenes to improve the pacing of the film, which was considered too long.
- Restoration in 2009: Some of the deleted scenes were restored and included in the 2009 Blu-ray release of the film.
- Influence on sequels and remakes: The deleted scenes provided inspiration for sequels and remakes, such as "An American Werewolf in Paris" (1997).
Collector's Edition:
The "Collector's Edition" DVD and Blu-ray releases of "An American Werewolf in London" include some of the deleted scenes, along with behind-the-scenes footage, interviews, and commentary from the cast and crew. These releases provide a comprehensive look at the film's production and offer insights into the creative decisions behind the movie.
Trivia:
- Inspiration from classic horror: The film's werewolf design was inspired by classic horror movies, such as Universal's 1941 film "The Wolf Man".
- The infamous ' head tilt': The werewolf's unsettling head tilt was achieved through a combination of prosthetics, makeup, and actor Rick Baker's performance.
Key Takeaways:
- The deleted scenes provide additional insight into the film's plot, characters, and themes.
- The film's pacing and tone were refined through the deletion of certain scenes.
- The Collector's Edition releases offer a comprehensive look at the film's production and creative decisions.
Even a horror masterpiece like An American Werewolf in London
(1981) had to leave some gore on the cutting room floor. While the film is famous for Rick Baker’s Oscar-winning effects, several scenes were removed or altered due to pacing, test screenings, or strict "R" rating requirements. The "Lost" Tramp Scene
The most famous "lost" footage is an extended sequence featuring the werewolf attacking three homeless men (tramps) in a junkyard.
What happened: The scene was reportedly very graphic and followed the werewolf’s rampage along the Thames.
Why it’s gone: Director John Landis removed it after test audiences reacted negatively. Some sources suggest the sequence distracted from the main story, much like the famous "Spider Pit" scene from King Kong.
Status: Considered lost media. No known video or audio survives. Jack’s Toast Problem
In the scene where the undead Jack (Griffin Dunne) visits David in the apartment, there was a gruesome practical gag involving breakfast.
The Scene: As Jack eats a piece of toast, the food was shown falling directly out of his torn, rotting throat.
Why it’s gone: It was removed to help the film secure an "R" rating in the U.S.. David’s Phone Call Home
One of the more poignant deleted moments involves David attempting to reach out to his family.
The Scene: Just before David attempts to end his life with a penknife, he makes a long-distance call to his sister, Rachel, in the U.S.. He tells her he loves his parents and asks her not to fight with their brother, Max.
Status: This scene was actually included in the original theatrical release but was famously missing from certain Region 2 Special Edition DVDs due to a mastering error. It is restored on most modern Blu-ray releases. Other Notable Edits
The Porn Theater Attack: While the final film shows David spitting out a victim's thumb, some accounts suggest more graphic footage of the theater massacre was trimmed.
The Sex Scene: The intimate scene between David and Nurse Alex Price (Jenny Agutter) was toned down and shortened to satisfy censors.
Alternate Music: Early TV broadcasts sometimes replaced Van Morrison’s "Moondance" with "Happy Together" by The Turtles during the love scene. Behind The Scenes Saturday: An American Werewolf In London
While there is no official "uncut" version of An American Werewolf in London
containing all removed footage, several notable deleted scenes and alternate versions are well-documented by film historians and fans. Lost and Deleted Scenes
The most famous "lost" footage includes a graphic sequence that was entirely removed before theatrical release:
The Tramp Killing: A scene featuring the werewolf attacking three homeless men (tramps) in a junkyard or along the Thames. It was cut after test audiences reacted negatively, finding it too distracting or intense. No known video or audio of this scene has survived.
Jack’s Toast Scene: An extended moment where Jack (in his decaying undead form) eats a piece of toast, which then falls out of a hole in his torn throat. This was cut to help the film secure an "R" rating in the U.S.
Extended Sex Scene: The love scene between David and Alex was originally more explicit but was toned down for the theatrical release.
Full Werewolf Close-ups: Director John Landis deliberately cut some shots of the finished werewolf to maintain its dangerous mystery, though some production stills of these "unused" models have since surfaced. Regional and Home Video Variations
Mastering errors and local censorship have led to several different versions appearing on home media over the years:
The Missing Phone Call: A scene where David calls his family before his suicide attempt is missing from some UK and German DVD releases due to a mastering error. It is present in all Blu-ray and 4K UHD releases, such as the Arrow Video Edition.
Soundtrack Changes: In the early 1990s, some TV broadcasts (notably Detroit's TV-50) replaced Van Morrison's "Moondance" with "Happy Together" by The Turtles during the love scene.
UK TV Censorship: Early UK television broadcasts often heavily edited the final werewolf rampage and removed shots of the dead werewolf in human form on the moors.
For more behind-the-scenes details on how the iconic transformation was achieved:
This is a clever constraint—"useful feature" tied to a very specific cult classic film. Here’s one feature that would be genuinely valuable for fans, scholars, and home video editors:
Feature Name:
“Kesto’s Cut Viewer” (or “Transformation Timeline Comparator”)
What it does:
An interactive, scene-by-scene reconstruction tool that maps all known deleted, extended, and alternate scenes from An American Werewolf in London against the final theatrical cut—but organized not by script order, but by narrative geography (London neighborhoods, the moors, the porn cinema, the tube, etc.).
Why it’s useful:
- Restores spatial logic – Many deleted scenes (e.g., David’s longer walk through Trafalgar Square, extended Underground hallucination, alternate nurse Alex scene) were cut for pacing but contain key character beats. The tool lets you insert them back into the timeline at the exact frame where they’d occur, then watch a “director’s extended commute” through London.
- Compares transformation FX drafts – Includes side-by-side with Rick Baker’s unused animatronic tests and pre-vis of the stairwell kill.
- Audio commentary sync – Overlays John Landis’s explanations of why each scene was cut (ratings, tone, studio notes).
- “Slaughtered Lamb Rule” toggle – Shows how removing certain nightmare sequences changes the dream-logic pacing.
Bonus useful twist:
It generates a printable shooting script map for location scouts or fan filmmakers, marking where deleted scenes would have been shot vs. where final scenes landed. The Criterion Collection : This deluxe Blu-ray release
This turns “deleted scenes” from a passive curiosity into an analytical tool for editing, horror screenwriting, and practical effects study—while serving the film’s specific cult obsession with London as a layered, nightmarish space.